brainwane: My smiling face, in front of a wall and a brown poster. (smiling)
I am planning to attend PyCon North America, in person, in mid-April in Salt Lake City, Utah, USA. I'm also planning to attend WisCon in person -- that's in Madison, Wisconsin, USA, in late May (DW comm is [community profile] wiscon).

I blogged about why and how I'm going to PyCon this year, and the COVID mitigation steps I'll take. I have not (yet) made a similar post about WisCon but it would have a pretty similar logic to it.

Both conferences are hybrid this year, with a lot of support for remote attendees and with strong COVID risk mitigation measures in place. So I hope to interact with you, in person or virtually, if you attend/participate!

(Note that there will be no WisCon in 2024.)
brainwane: My smiling face, including a small gold bindi (Default)
I'll be performing stand-up comedy about technology and the open source industry at two virtual conferences in November: SeaGL and !!Con. I'm developing and rehearsing new material now for these performances. The content will overlap some but won't be the same in the two sets.

More info is at my Cogito, Ergo Sumana blog.

Now's a good time to save the dates!
brainwane: My smiling face, including a small gold bindi (Default)
 
We hope to make The PyGotham Film Festival the first conference of its kind (that we know of). We’re asking presenters to pitch short films instead of standard tech talks....

So long as your film’s topic is relevant to members of the Python community, it’s up for proposal and consideration. PyGotham typically includes presentations on topics such as web and systems development, machine learning and data science, tech ethics, and community building. These categories of topics (and more) are all still welcome at this year’s festival, and we invite presenters to view them through a different lens than they normally might....
  • Films must be between five and twenty-five minutes long.
Submit your proposal by 1 July 2022.
 
My reading is that vids like "The Programming Saga" by [personal profile] echan are eligible. I'm also of course excited to see more traditional narrative films as part of this year's PyGotham. I was a pathbreaking participant here -- in 2017 and 2018, I cowrote and starred in PyGotham presentations that were full-on plays, and my example was probably an inspiration for their later forays into more systematically encouraging art like this.

In 2019, I founded and co-ran a related initiative: a play festival at the big annual North America Python convention, "The Art of Python" (where "The Programming Saga" premiered). To encourage participants -- especially first-time art makers -- we also created a play creation guide, complete with a list of inspirations and a “play production basics” guide. If you're thinking about making something for The PyGotham Film Festival, maybe these will help.

I'm not involved with PyGotham organizing. I am open to throwing ideas around and helping you develop them if you are interested in proposing something!

brainwane: The last page of the zine (cat)
An acquaintance of mine is doing code review for PullRequest.com for USD$100/hr. "PullRequest provides on demand code review as a service from exceptional engineers to teams of any size." If you're looking for a part-time work-from-home-whenever opportunity and you have some programming skills, might be worth checking them out.
brainwane: My smiling face, including a small gold bindi (Default)
I'm performing as comedy auctioneer at the Otherwise Auction within [community profile] wiscon, Sat. 29 May https://wiscon.net/2021/05/23/visioning-otherwise-auction/ 8pm EDT (Sunday morning 12:01am UTC) -- get a free crossword puzzle! Auction will last about 45 minutes to an hour.

I'm performing about 25-30 minutes of stand-up comedy about the free & open source software life, Sun. 30 May https://ozgurkon.org/2021/schedule/#day_2020-05-30, 18:30 Istanbul/15:30 UTC/11:30am EDT -- free to attend!

brainwane: My smiling face, including a small gold bindi (Default)
My local Python programming conference is going online this year. October 2nd and 3rd, PyGotham will be "PyGotham TV". The call for proposals says: "we also encourage fun and creative talks playing with the TV theme" -- so I was thinking: a little session reminiscent of MTV, or Pop-Up Video, might be interesting.

The sessions "should be 10 or 25 minutes long" which is enough time for a few vids. And, given how well-received "The Programming Saga" by [personal profile] echan and my vid "Pipeline" have been at tech conferences, and given how receptive PyGotham has been in the past to my odd experimental sessions, I think it's plausible that I could get a vidshow accepted. A playlist themed around engineering and the tech industry and our heritage and our successes -- stuff like "The Programming Saga" and "Pipeline", and "Landsailor" by [personal profile] raven, and "Speeding Rover" by [personal profile] seekingferret.

But! The call for proposals says: "Because it is an online-only event featuring pre-recorded talks, you must accept the recording release in order to be considered for PyGotham TV." The recording release itself* says you have to certify "that you are the author of your presentation (or otherwise allowed to present it at PyGotham TV)" with language including "certify that I am either the copyright owner of the User Submission or an authorized licensee of the copyright owner". Partly, I'm guessing, because this stuff is going to get streamed on YouTube. This year's WisCon vid party ended up happening on Zoom rather than YouTube and I would not be surprised if DMCA takedown concerns were one of the reasons.

So.... I think this could still work. Vids using public domain or openly licensed music, maybe?

The call for proposals is open through July 5th. If 3 people want to make some vids that are about engineering/technology in some way, using music that won't trigger a Content-ID takedown, I could put together that proposal. Heck, I don't need premieres -- if you've already made some that fit this constraint, I want to know about them!

* There is "you can opt out" language on that release; I followed up on this and that paragraph is an artifact of prior, in-person conferences. They're fixing the release to remove that now.
brainwane: My smiling face, including a small gold bindi (Default)
Pulled up this screen to share a few issues I just filed with a colleague, and noticed one dimension of the contributions I've made to Python packaging over the past few years: https://github.com/issues?utf8=%E2%9C%93&q=is%3Aopen+is%3Aissue+org%3Apypa+archived%3Afalse+author%3Abrainwane (I think you can only see this when logged in, and possibly not everyone can see it).

48 open issues in the PyPA org, 91 closed.
brainwane: My smiling face, including a small gold bindi (Default)
I saw the Sandra Bullock thriller The Net at some point not long after its initial release. Yesterday I rewatched it with my spouse (who'd never seen it) and realized I remembered nearly none of it. It's trying to say something kind of interesting, and the giant technical inaccuracies and TV movie-level plotting/characterization/cinematography aside, there's still something there worth watching.

(This is a kind of successor post to my review of Antitrust, another Internet-centric thriller from a few years later.)

Angela Bennett (Sandra Bullock) is a schlubby, isolated beta tester who lives in Los Angeles, works remotely for a San Francisco software firm, and is about to go on her first vacation in six years when her colleague tells her about a weird new virus-or-something. She forgets about it until she starts to get hunted -- the dude she meets on vacation tries to kill her, all records of her existence seem to be scrambled or lost, etc. All that you can probably get from the trailer.

Some disjointed responses follow.

spoilers )
brainwane: My smiling face, including a small gold bindi (Default)
On May 3rd, 2019, two friends and I are hosting "The Art of Python", a miniature arts festival at PyCon North America 2019 (Cleveland, Ohio), focusing on narrative, performance, and visual art. We intend to encourage and showcase novel art that helps us share our emotionally charged experiences of programming, particularly in Python. We hope that by attending, our audience will discover new aspects of empathy and rapport, and find a different kind of delight and perspective than might otherwise be expected at a large conference.

There's more about this at my co-organizer Erty Seidohl's blog post, including an invitation to also propose your "not-talks" to !!Con.

In short, we are interested in how fictional narrative, visual and performance art, and different presentation formats can make different kinds of teaching and representation possible.

"The Art of Python" is seeking your proposals now and the deadline for submissions is 28 February. And if you've never written a play and want guidance so you can write your first, we'll have a guide up on 1 February to help you!

Thanks to Erty and to Brendan Adkins for co-organizing "The Art of Python" with me! Thanks to PyCon's Hatchery program for new PyCon events, which makes this festival possible! Thanks to Jackie Kazil for the festival name! (My codename was "Spectacle!" which is probably misleading and less accessible.)
brainwane: My smiling face, including a small gold bindi (Default)
My friend Allison Parrish has just released @CheapSpaceNine, a Twitter bot* that produces randomly generated plot summaries for nonexistent episodes of Star Trek: Deep Space Nine. Sample summaries:


Jadzia is forced to play the bodies—and O'Brien, who is selected to become the end, announces the station.


The funeral arrangements mastermind Brunt. Worf talks with Breen ships. Beverage profits, however, react strongly to Q.


A war questions their quarters. An engineering team reveals humanoid farmers.



Friends who love DS9: enjoy!

* A Twitter bot is an Twitter account that posts automatically generated tweets. The programmer who writes the program that automatically generates the tweets is often remixing some pre-existing text, images, data, et cetera. Here's the text of "Writing Aliens", or, "Duchamp, Markov, Queneau: A Mostly Delightful Quilt", a talk about the art of Twitter bots that my spouse Leonard Richardson gave as his Guest of Honor speech at Foolscap 2014.
brainwane: My smiling face, including a small gold bindi (Default)
My friend asks:

Anyone here who has left tech or similar profession & gone into ministry / pastoral care? Or know someone who has?
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